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The Hundred Secret Senses

The Hundred Secret Senses

kr 160,00

The new bestseller from the author of The Joy Luck Club.

Olivia Yee is only 5 years old when Kwan, her older sister from China, comes to live with the family and turns her life upside down, bombarding her day and night with ghostly stories of strange ancestors from the world of Yin. Olivia just wants to lead a normal American life. For the next 30 years, Olivia endures visits from Kwan and her ghosts, who appear in the living world to offer advice on everything from restaurants to Olivia’s failed marriage. But just when she can’t bear it any more, the revelations of a tragic family secret finally open her mind to the starding truths hidden in Kwan’s unorthodox vision of the world.

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Produktnummer: Isbn 0-00-224035-1 Kategori: Stikkord:

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ISBN 0-00-224035-1
Språk Engelsk
Antall sider 358
Innbinding Innbundet
Utgitt 1996
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Beskrivelse

The new bestseller from the author of The Joy Luck Club.

Again grounding her novel in family and the workings of fate, Tan (The Kitchen God’s Wife) spins the tale of two sisters, two cultures, and several acts of betrayal. Kwan, who came to San Francisco from China when she was 18, remains culturally disjointed, a good-natured, superstitious peasant with a fierce belief that she has “yin eyes,” which enable her to see ghosts. Kwan’s younger half-sister Olivia (or Libby-ah, as Kwan calls her) is supremely annoyed by Kwan’s habit of conversing with spirits and treats her with disdain. Despite herself, however, Libby is fascinated by the stories Kwan tells of her past lives, during one of which, in the late 1800s, she claims to have befriended an American missionary who was in love with an evil general. Kwan relates this story in installments that alternate with Libby’s narration, which stresses her impatience with Kwan’s clinging presence. But Kwan’s devotion never cools: “She turns all my betrayals into love that needs to be betrayed,” Libby muses. When circumstances take Kwan, Libby and Libby’s estranged husband, Simon, back to Kwan’s native village in China on a magazine assignment, the stories Kwan tells – of magic, violence, love and fate – begin to assume poignant – and dangerous – relevance. In Kwan, Tan has created a character with a strong, indelible voice, whose (often hilarious) pidgin English defines her whole personality. No one will deny the pleasure of Tan’s seductive prose and the skill with which she unfolds the many-layered narrativ

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